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Tsun-shing Cheng, Portrait of an Imowrod tribesman, 2008 -
許江, Portrait of an Imowrod tribesman, 2005
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Tsun-shing Cheng, Contemplative girl, 1952
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Tsun-shing Cheng, Mirror image in the hall, 1957
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Tsun-shing Cheng, Entrance of the train waiting hall, 1959
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Tsun-shing Cheng, Passengers, 1964
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Tsun-shing Cheng, Arrival and departure, 1968 - 1970
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Tsun-shing Cheng, Photo studio in town, 1973
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TSUN-SHING CHENG, Child and silhouette, Guanyinshan, 1976
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TSUN-SHING CHENG, Entrance of the Lee Residence, 2000
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Kong Chun Hei, Non-stop Stop, 1951
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Kong Chun Hei, The Sliding Myth, 1955
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Kong Chun Hei, Flooding, 1959
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Kong Chun Hei, 26-4-61, 1961
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Kong Chun Hei, 19.02.2005, 2005
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Kong Chun Hei, Nuit Bleu, 2006
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Kong Chun Hei, 竹, 2008
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Kong Chun Hei, 金絲雀, n.d.
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Kong Chun Hei, Highly Transparent IV, 1955
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Kong Chun Hei, Highly Transparent III, 1960
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Kong Chun Hei, Highly Transparent II, n.d.
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Chen Ching-Yuan, 泣, 1955
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Chen Ching-Yuan, The Entrance, 1965
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Chen Ching-Yuan, 靜默中的不融洽, 1942
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Chen Ching-Yuan, 昏之舞, 1941
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Joyce Ho, 尋幽訪勝 , n.d.
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Joyce Ho, 飛黃騰達, n.d.
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Joyce Ho, 遊蹤, n.d.
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Joyce Ho, 濛濛遙遙, n.d.
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Chou Yu-Cheng, Electroplating, Flowing, Soil, Fusion, Rice, Malformation, Toxins, Care, Regulations, n.d.
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Mit Jai Inn, 墨行色舞, 1980s
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Mit Jai Inn, 唐韻沐色, 1980s
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Mit Jai Inn, 歸航, 1970s
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Mit Jai Inn, 篆之朱韻, 1970s
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Mit Jai Inn, 春城詩韻, 1970s
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Mit Jai Inn, 文牘墨迹, 1960s
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Mit Jai Inn, 綠染砂諭, 1960s
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Mit Jai Inn, 字形之變 II, 1960s
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Mit Jai Inn, 圖像文字, 1960s
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Mit Jai Inn, 甲骨文變奏, 1950s
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Mit Jai Inn, 颯然狂草, 1950s
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Mit Jai Inn, 綠天庵, 1950s
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Mit Jai Inn, 戴帽的女孩, 1940s
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Mit Jai Inn, 自畫像, 1940s
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Mit Jai Inn, 京劇人物 (3/4), n.d.
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Su Yu-Hsien, Plaster Gong: Percussion Performance, n.d.
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Su Yu-Hsien, Plaster Gong #5, 1962
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Su Yu-Hsien, Hua-shan-qiang — Jade Lady, n.d.
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Su Yu-Hsien, Hua-shan-qiang — Left Armed Guard, 1961
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Su Yu-Hsien, Hua-shan-qiang — Carriage Carrier 3, 1964
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Su Yu-Hsien, Hua-shan-qiang — Servant 1, 1964
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Su Yu-Hsien, Hua-shan-qiang — Ashes, 1953
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Su Yu-Hsien, Performance stills of Prophet and Waiting for Godot, n.d.
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Yuan Goang-Ming, About Millet’s The Angelus, n.d.
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Yuan Goang-Ming, Out of Position, n.d.
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Yuan Goang-Ming, Fish on Dish, n.d.
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Yuan Goang-Ming, The Reason for Insomnia, n.d.
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Yuan Goang-Ming, City Disqualified — Ximen District in the Daytime, n.d.
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Yuan Goang-Ming, Disappearing Landscape — Passing Ⅱ, n.d.
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Yuan Goang-Ming, Before Memory, n.d.
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楊茂林, We Came Whirling Out of Nothingness Ⅲ–Ⅴ, 2010
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Charwei Tsai, We Came Whirling Out of Nothingness Ⅴ – XI, 2011
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Charwei Tsai, The Goddess — Neither Here Nor Not Here, 2015
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Charwei Tsai, The Goddess — Wisdom of Silence, 2014
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Charwei Tsai, Root of Desire, 2013
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Charwei Tsai, Songs of the Migrant Workers of Kaohsiung Harbor, 2014
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Charwei Tsai, Hear Her Singing, 2019
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Charwei Tsai, Songs of Chuchepati Camp, Nepal, 2019
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Charwei Tsai, Water Moon, 2018
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HOU I-Ting, Lı̍k-sú Tsiam-tsí lâng — The Women of Empire No.10, 1920s
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HOU I-Ting, Lı̍k-sú Tsiam-tsí lâng — The Women of Empire No.19, 1929
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Jao Chia-En, 孤獨的象, 1960s
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Jao Chia-En, Father's Tongue, 1960
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Jao Chia-En, 斜倚裸女, 1950s - 1965
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Jao Chia-En, Brothers in Law, 1950s - 1965
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Jao Chia-En, 含華吐瑞, 1950s - 1965
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常玉, 貓與雀, 1950s
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Jao Chia-En, 30 Proposals of Flag, 1940s - 1950s
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常玉, Taiwan Protest Typography, 1941
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Jao Chia-En, Nocturnal Biennial, 1930s / 1940s
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