• Overview

    From ancient Greece to modern times, the model has served both as muse and means of artistic creation. Greek artists’ strong focus on physical proportion and naturalistic detail laid the groundwork for later explorations of beauty and truth. As art history unfolded, models became the vessel for cultural narrative — whether as mythic heroines, religious icons, or allegorical figures — balancing sensory allure with symbolic purpose. Their portrayal often walked a fine line between celebrating physical perfection and advancing ideology.

  • The model, as an objectified entity under the gaze of the artist or the viewer, embodies a hierarchical relationship rooted in power imbalance. Its aesthetic value becomes a conduit for addressing social issues like gender and class, while the act of observation positions the subject — a metaphor for passive or natural entities — as a recipient of imposed meaning.

    • 何采柔 Joyce Ho, 夢見我 Dream About Me, 2017
      何采柔 Joyce Ho, 夢見我 Dream About Me, 2017
    • 蘇育賢 So Yo Hen, 勁曲 hit song, 2024
      蘇育賢 So Yo Hen, 勁曲 hit song, 2024
    • 邱承宏 Chiu Chen Hung, 北美花旗松 No.2 North American Douglas Fir No.2, 2019
      邱承宏 Chiu Chen Hung, 北美花旗松 No.2 North American Douglas Fir No.2, 2019
  • The model’s function in contemporary art has evolved into a multidimensional tool for political engagement, social critique, and emotional expression, shaped by the intersection of societal structures, gender dynamics, and identity politics. Transcending its historical role as a purely visual representation of the human form, the model now serves as a critical lens for interrogating contemporary reality. This conceptual expansion has dissolved traditional boundaries, allowing models to manifest as objects, events, or even cultural signifiers — serving as a fluid medium for projecting meaning and challenging established norms.

    This spring, Tina Keng Gallery unveils The Painter’s Muse, a group exhibition that celebrates the idea of the model across time and cultures. Bringing together works by esteemed artists such as Wang Pan-YounWang HuaiqingYun GeeLi-LanLin JuWu DayuYing HungSanyuZhang HongtuTony Wong, and Peng Wei, alongside TKG+ talents Chiu Chen-HungJoyce HoHou I-TingTsun-Shing Cheng and So Yo-Hen, the exhibition offers a rich tapestry of perspectives. From traditional oil painting and ink art to contemporary photography and mixed-media works, The Artist’s Muse spans nearly a century — from 1926 to 2024 — capturing how models have been reimagined through unique media and techniques. This collaboration between Tina Keng Gallery and TKG+ not only showcases artistic masterpieces, but embodies a dialogue between two brands committed to exploring conceptual boundaries.

    • 陳傳興 Tsun-shing Cheng, 消失的小孩(倫敦) Vanishing Child (London) , 1978
      陳傳興 Tsun-shing Cheng, 消失的小孩(倫敦) Vanishing Child (London) , 1978
    • 侯怡亭 Hou I-Ting, 歷史刺繡人—帝國婦人 No.18 Lik-sú Tsiam-tsílâng- The Women of Empire No.18, 2019
      侯怡亭 Hou I-Ting, 歷史刺繡人—帝國婦人 No.18 Lik-sú Tsiam-tsílâng- The Women of Empire No.18, 2019
  • Another major highlight of The Painter’s Muse is the display of several masterpieces that have remained unseen for years. These include works by Sanyu, Yun Gee, and Wu Dayu — exceptionally rare pieces now unveiled to the public through this exhibition. These precious paintings come from specific periods in the artists’ transformative journeys, not only chronicling the people and scenes that surrounded them at the time, but offering a profound glimpse into the nuances and evolution of their artistic language.

    • 常玉 Sanyu, 側坐在扶手椅上女士 Seated Lady on an Armchair, 1920s
      常玉 Sanyu, 側坐在扶手椅上女士 Seated Lady on an Armchair, 1920s
    • 吳大羽 Wu Dayu, 無題 I-065 Untitled I-065, n.d.
      吳大羽 Wu Dayu, 無題 I-065 Untitled I-065, n.d.
    • 朱沅芷 Yun Gee, 戴耳環的女子 Woman with Earring, 1925
      朱沅芷 Yun Gee, 戴耳環的女子 Woman with Earring, 1925
    • 張宏圖 Zhang Hongtu, 野牛,無題 Bison, Untitled, 2019
      張宏圖 Zhang Hongtu, 野牛,無題 Bison, Untitled, 2019
    • 朱禮銀 Li-lan, 穿梭 Shuttle, 2001
      朱禮銀 Li-lan, 穿梭 Shuttle, 2001
  • The dynamic between painter and muse transcends a unidirectional exchange of inspiration and interpretation, morphing into a reciprocal dialogue through the creative process. The Painter’s Muse encapsulates this interplay across mediums and forms, documenting how the relationship between artist and subject becomes a shared act of meaning making. The exhibition invites the viewer to engage as active participants or reflective witnesses. Their gaze becomes a catalyst, shaping the exhibition’s contribution to the shifting narrative of contemporary Taiwanese art.

    • 王懷慶Wang Huaiqing, 榻-1 Day Bed-1, 2006
      王懷慶Wang Huaiqing, 榻-1 Day Bed-1, 2006
    • 黃榮禧 Tony Wong, 獵 Hunt, 1986
      黃榮禧 Tony Wong, 獵 Hunt, 1986
    • 洪少瑛 Ying Hung, 追夢者 The Dream Chasers, 2010
      洪少瑛 Ying Hung, 追夢者 The Dream Chasers, 2010
    • 彭薇 Peng Wei, 雅謌 No. 28、29 - 人馬 1 Song of Songs No. 28, No. 29- Centaur 1, 2023
      彭薇 Peng Wei, 雅謌 No. 28、29 - 人馬 1 Song of Songs No. 28, No. 29- Centaur 1, 2023
  • Artist